5/28/10

Muskogee Nation News Column April 2010

It is supposed to be spring. It’s trying to be spring. I wake up this morning to freezing temperatures, and it’s almost April in New Mexico. I remember Oklahoma springs in childhood. I felt like a small plant and knew myself as part of the earth. I’d get up before anyone else. I liked smell of the medicine of plants, and felt the snakes, earthworms, horned toads sliding and walking about, including the mole who lived in the yard moving through the earth. In those times, robins came only in the spring. Our backyard was full of poison ivy. We had to be careful, especially our sister. She was highly allergic to it. Mostly it didn’t bother me. The front was carpeted in clover patches and dandelions. I knew these plants intimately and practically lived in them in the spring and summer. I knew June bugs, roly-poly bugs, and played with them.

I liked getting up when the sun got up. The breaking of dawn was my time to just be, without the worry or pressure of any family drama. I liked being with thoughts that were fed by the sun, by the trees, plants and the creatures. I usually had a dog. They always followed me home. When I was five, I had a dog I named “Alligator”. I’ve always had a fondness for alligators, some kind of connection I don’t totally understand. It isn’t my clan. My clan through my father is Katcv, or Tiger clan. I don’t know my mother’s Cherokee clan, even though her mother was raised Cherokee near Moody, Oklahoma.

I knew the bees and played with them as freely as I played with the garter snakes, horned toads, and the other creatures. I’d play house. I’d catch the bees, hold them in my hands, and set them where I wanted them. They didn’t mind me handling them as long as they could get on with their business. They had a tender mind toward me as a young one.

One day I was out playing in the late morning. My mother and her friends were sitting out on the porch, drinking iced tea, smoking cigarettes and telling stories. Usually the stories ran along the lines of who came home and who didn’t come home, and all the drama going on among them and their families. My mother was also writing songs at that time. She was still at home and didn’t have to work yet. Her best friend was another Cherokee woman who lived across the street. I liked hearing them talk, their presence there. I adored my mother. She was beautiful, dynamic, and loved to sing.

As they talked I continued my play in the clover. I caught bees as I often did and played with them. My mother and her friend saw me. I can still see my mother’s concerned expression and hear her alarmed voice, “You’ll get stung!” It was then the bee stung me. I felt betrayed and confused by the situation. I didn’t pick up bees again for years.

****

I’m a bit road weary this morning. Just returned from Andover, Massachusetts and Huron, Ohio. What stands out about this trip is that in each place an indigenous person of those lands welcomed me. In Andover, Annawon Weeden, a beautiful, young Mashpee Wampanoag man sang a welcome before my show. In Huron, Bruce V. Molnar who is vice chairman of the Pokagan Band Gaming Commission a member of the Pokagan Nation came to my first event and welcomed me, in the Muscogee language! This made a huge difference in the energy of the transaction. A performance is not just the performer: it’s the audience, the performer, the original keepers of the land, the place, and what has happened and what is going on there.

****

And finally, my brother still doesn’t have his CDIB or his tribal citizenship card. My sister drove my brother to Oklahoma City to get the change on his birth certificate. Our father was a “Jr.”. It appears on one document and not the other. They learned to do so will require a court order. Nathan and the staff have been helpful. The bureaucracy is hell. I guess we’ve been fully colonized.

5/26/10

June: Concerts, Wings of Night Sky-Wings of Morning Light, and Workshops

12th FESTIVAL OF NEW PLAYS

June 5, 2010 8 pm

La Jolla Playhouse

Tickets

Theodore and Adele Shank Theatre

Wings of Night Sky, Wings of Morning Light

BY JOY HARJO
DIRECTED BY RANDY REINHOLZ

Following its successful world premiere with Native Voices last year, Wings of Night Sky, Wings of Morning Light returns for a special one-night engagement at the La Jolla Playhouse, starring the incomparable Joy Harjo, who is accompanied by Grammy Award-winning producer and guitarist Larry Mitchell.
*Find out more about the Play: http://www.joyharjo.com/Wings.html


_____________


Duende Poetry Series 2010 Special Event

June 13, 2010 3-5 pm

Anasazi Fields Winery

More Information

Featuring Joy Harjo on poetry, sax, flute, Larry Mitchell on guitar, synth pads, and John Rangel on keyboards. Free

Location: http://anasazifieldswinery.com/contact.htm

_____________






5/13/10

How Do News Stories Enter Our Knowing?


May 13, 2010 Albuquerque Thursday

What do I do with the story when I read: “Thai general shot in the head”? I read it, and where do I file it? Does it become another weight of despair pulling on my arm? I see a shower of blood, a flower of red death blooming as if there were sudden rain in the desert. I see two armies with bayonets drawn. I hear the grief of mothers and children, and see the stiff countenances of warriors who can know only war. What isn’t war will break them apart in tenderness beyond reason. I see the oil spill in the Gulf eating up water, creatures and shoreline. And then we are in the kitchen where a family wanders through the house with cokes and stumble to their solo stations at televisions, computers and a game. The sun is settling lonely into the West. But brightens at the sound of human voice singing a song for the end of the day, for the sun’s journey.

4/20/10

Joy Harjo Concerts and Readings April 2010

April 21
7 pm

Joy Harjo and Band
Jazz Deconstructed
A New Mexico Jazz Workshop Series
The Kosmos
1715 5th Street NW, Downtown Albuquerque,87110
Tickets $10 General, $8 Students/NMJW Members/Seniors
Buy your ticket online @ www.brownpapertickets.com
For more information call 505-255-9798.
http://www.nmjazz.org/Jazz_Deconstructed.aspx
http://www.wix.com/nmjazzworkshop/jazz_deconstructed

____________________________________

April 23 at 7:30 pm

Global Education Center

National Poetry Month Celebration
http://globaleducationcenter.net/
Between the Earth and Sky
Exploring Native American Culture through the poetry of Joy Harjo
W.O. Nashville Community Music School
http://www.wosmith.org/profile.html
1125 8th Avenue South, Nashville TN 37203
Tickets: $10 advance purchase and $15 at the door.
Student and senior discounts available.

615-292-3023
____________________________________

April 29
7:00pm

8:30pm
University of Hawaii
Soul-Talk: A Performance by Joy Harjo
http://www.hawaii.edu/calendar/uh/2010/04/29/12367.html
Manoa Campus, UHM Art Auditorium
More Information — (808) 956-7619

4/9/10

LISTENING TO BLUES IN A FISH JOINT, DOWNTOWN DENVER


I need this unreeling of heartache, and

the downtown turnaround.

--Over, and over and over.

When you gonna come back, baby?

--Over and over and over.

Why did you leave me?

The god of all things reached

Behind the counter, pulled up a sour dishrag and

Cleaned off the mess.

--We all went tumbling down.

I said, Over and over and over.

--We all went tumbling down

c Joy Harjo Denver April 7, 2010

4/6/10

Wilma Mankiller Left this World for the Next This Morning

No words.

She leaves a trail of blessings.

May she travel well.

And may we find a way to lift up our heads from our grief.

A note from the Oklahoma Cherokee Nation:


From: all-employees-bounces@lists.cherokee.org [mailto:all-employees-bounces@lists.cherokee.org] On Behalf Of Chad Smith
Sent: Tuesday, April 06, 2010 11:13 AM
To: All Employees (mailing list)
Subject: [All-Employees] Wilma Mankiller

Dear Friends,

Our personal and national hearts are heavy with sorrow and sadness with the passing this morning of Wilma Mankiller, our former Principal Chief. We feel overwhelmed and lost when we realize she has left us but we should reflect on what legacy she leaves us. We are better people and a stronger tribal nation because her example of Cherokee leadership, statesmanship, humility, grace, determination and decisiveness. When we become disheartened, we will be inspired by remembering how Wilma proceeded undaunted through so many trials and tribulations. Years ago, she and her husband Charlie Soap showed the world what Cherokee people can do when given the chance, when they organized the self-help water line in the Bell community She said Cherokees in that community learned that it was their choice, their lives, their community and their future. Her gift to us is the lesson that our lives and future are for us to decide. We can carry on that Cherokee legacy by teaching our children that lesson. Please keep Charlie, Gina and Felicia in your prayers. Wilma asked that any gifts in her honor be made as donations to One Fire Development Corporation, a non-profit dedicated to advancing Native American communities though economic development, and to valuing the wisdom that exists within each of the diverse tribal communities around the world. Tax deductible donations can be made atwww.wilmamankiller.com as well as www.onefiredevelopment.org. The mailing address for One Fire Development Corporation is 1220 Southmore Houston, TX 77004. Details of her memorial service will be forthcoming.

4/2/10

Concert and Poetry Calendar: April 2010

April 10

AWP Denver CO
The Association of Writers and Writing Programs
2010 Annual Conference & Bookfair
http://www.awpwriter.org/conference/2010headlinersbios.php#jharjo

9 am- 5:45 pm
S121. Somewhere Far from Habit: The Poet & the Artist's Book. 
An Exhibit Hosted by Creative Writing at Longwood University.
Colorado Convention Center/Street Level
700 14th Street, Denver, CO 80202
Room 101
Phone: (303) 228-8000

3:00 pm - 4:15 pm
S203. A Performance by Joy Harjo & Larry Mitchell
Poet and musician Joy Harjo performs with guitarist Larry Mitchell from her four award-winning CDs of original music.
Hyatt Regency Denver
650 15th Street, Denver, Colorado, USA 80202 Tel: +1 303 436 1234
Centennial Ballroom
3rd Floor
______________________________________________________

April 13 Women Poets at Barnard
7 pm
http://www.barnard.edu/english/women_poets.php?id=readings#date5
417 Barnard Hall/3009 Broadway
New York, NY 10027
Sulzberger Parlor
(3rd floor, Barnard Hall)
212-854-2116
______________________________________________________

April 15
Autry Museum of The American West
Griffith Park
Homelands: How Women Made The West Show
Opening Reception

6 - 9 pm
http://theautry.org/programs/members-only/all-members-opening-reception-for-home-lands-how-women-made-the-west
*Members opening
4700 Western Heritage Way, Los Angeles, CA 90027-1462

T: 323.667.2000


More about the exhibit:
http://theautry.org/exhibitions/home-lands
Museum of the American West at Griffith Park
April 16, 2010 - August 22, 2010
From ancient pueblos to modern suburbs, women have shaped the Western landscape through choices about how to sustain home, family, and community. Home Lands: How Women Made the West brings together women’s history, Western history, and environmental history to show how women have been at the heart of the Western enterprise across cultures and over time.
______________________________________________________

April 21 

Joy Harjo and Band
Jazz Deconstructed
A New Mexico Jazz Workshop Series
The Kosmos
1715 5th Street NW, Downtown Albuquerque,87110
Tickets $10 General, $8 Students/NMJW Members/Seniors
Buy your ticket online @ http://www.brownpapertickets.com
For more information call 505-255-9798.
http://www.nmjazz.org/Jazz_Deconstructed.aspx
http://www.wix.com/nmjazzworkshop/jazz_deconstructed
______________________________________________________

April 23
Global Education Center
National Poetry Month Celebration
7:30 pm

http://globaleducationcenter.net/
Between the Earth and Sky
Exploring Native American Culture through the poetry of Joy Harjo.

W.O. Nashville Community Music School
http://www.wosmith.org/profile.html
1125 8th Avenue South, Nashville TN 37203
Tickets: $10 advance purchase and $15 at the door.
Student and senior discounts available.

615-292-3023

3/31/10

MNN Column February 2010 (Please note: for now my columns are bi-monthly



This morning I’m in Anchorage, Alaska, and at 7:15AM it’s dark as night and will be until close to 9AM. I was invited up for the first Native Playwrights Festival at the Alaska Native Heritage Center. The playwrights are from native villages around Alaska, and from here in Anchorage, Fairbanks and Juneau. Some of us performed on Saturday, and the workweek began Saturday evening with meetings. We’ve been meeting every day from 8:30 to 5. Then we have work assignments at night. So I’m scrambling to get my column in (as usual!).

I first came up to Alaska in the early eighties to go to the jails and prisons and help prisoners with poetry. Rent-A-Wreck was the only car rental company that would rent without a credit card. And guess what kind of car they loaned me…a refurbished police car! It was just what I needed to drive up and gain confidence of the prisoners! I went to four different penal institutions in the Anchorage area, four, with a population half the size of Tulsa. One was a women’s prison. About ninety percent of the prisoners in the men’s units were native. Black men were next in population size, then the poor white guys who’d come up to work on the pipeline. Most were in primarily for being native, black and/or poor with no money for attorneys, and/or doing something stupid in the wrong place at the wrong time. I did not pick up malevolence, but neither was I placed in high security. I met the brother of a friend of mine, who is now a shaman. He’d been riding around with a party and got picked up. The women were mostly in for taking the rap for their boyfriends, and being in the wrong place at the wrong time.

I’ll never forget being led into a room of male prisoners by the jail keep at the Fourth Avenue jail, and hearing him say “I’ll be back in two hours” as he locked the door shut behind me. The prisoners were hungry to speak and sing. Most of them knew poems by heart. There were tears and laughter as they wrote and spoke. All of them responded to poetry because they needed a way to hear and speak their souls. They took to writing with a hungry fervor. I’m convinced that most waywardness is creativity turned backwards.

There's a young moose who has been roaming the grounds of the Alaska Native Heritage Center. Tourists who don't know moose think they're cute with the personality of deer. They are more dangerous than bears. Bears are predictable. Moose will charge, kick, and then dance on you, and not think about it. One woman's cousin just had her scalp pulled loose by a dancing moose. So we had to navigate the young one as we walked out to use the Inupiak village site for a classroom. (There are several kinds of traditional houses in the on-site village.)

My brother has been having a hard time getting his citizenship card. He used to have one. He was turned away because our father’s name had “Jr.” on one document, and not on the other. All the rest of us in the family have our cards. Even his son has his enrollment card. My brother needs the card for health care. He’s been having stroke tremors. But the receptionist kept telling me: “He’s not in our system.” We were here before there was a system. We have been Creek for thousands of years, before cards. I know my brother isn’t the only one who’s been having a problem. I'm afraid he might not live along to get his card.

And finally, don’t forget, be kind to all you meet along the way.

3/11/10

The Knowing

The knowing beyond the practical everyday mind is immense. We have poetry, music, all arts, to access, interact with it and translate it, to know who we are beyond the moment we have breath.

3/9/10

Times of Strange Weather

We are in times of strange weather and unpredictable earth events everywhere on beloved Earth. Because we are of the Earth’s body, we feel unsettled and strange. We are being challenged to grow our minds and spirits to encompass immense changes. We came here to gain understanding that will bring forth compassion. As human beings in a postcolonial world, we can no longer forget our part in the story.